![]() ![]() While many filmmakers just shot wide shots of the action, Soviet montage theory cut together shorter shots to build a story. It holds that editing and the juxtaposition of images is the lifeblood of filmmaking. This video breaks down the inherent and creative effects of cross cutting and how Nolan uses them to craft montages. Soviet montage theory is an approach to creating movies that rely heavily upon editing techniques. If you've seen any of Christopher Nolan's films, you know that cross cutting is a common technique, especially during the climaxes. Derived from the French language meaning assembly and equally meaning editing, montage is simply the stringing together of a series of images to communicate vast information in a shortened period of time. ![]() This does more than simply tell the story "quicker." It creates an even more tense situation that would be difficult to replicate if the scenes were presented one after the other.Įach of these situations generate their own unique levels of stress and suspense, but when combined into a single sequence, that suspense can multiply. If you have a big scene where a group of thieves carry out a heist, you can build rhythm, momentum, and anticipation.įor example, you can cut between one thief cracking the vault, another thief crawling in the air duct, and the getaway driver waiting in the car. ![]() The way cross cutting and parallel editing has evolved can certainly be traced back to Soviet Montage Theory and filmmakers like Sergei Eisenstein and Dziga Vertov.īeginning in the 1920s, these filmmakers seized upon the political and powerful effect of these techniques and turned them into an art form.Ĭross cutting is most often used to build anticipation and to show a large scale operation at work. For example, if one character is scrubbing toilets while the other is riding a jet ski across a scenic lake, the visuals will create an undeniably powerful narrative point of view through the use of editing both scenes next to and in between each other.Ĭross Cutting vs Parallel Editing The differences between the two How To Say Montage Emma Saying 716K subscribers Subscribe 5.6K views 5 years ago Learn how to say Montage with EmmaSaying free pronunciation tutorials. Think about it - montages are wholly cinematic, born entirely from the womb of editing, and are able to elicit emotions from an audience simply by the way they're constructed. Parallel editing is a specific cross cutting technique that creates a narrative parallel that the viewer may compare and contrast. DecemThere's nothing quite like a montage. Parallel Editing DEFINITION What is parallel editing in film? The main idea is to show the viewer multiple views across different locations. The distance of these separate locations could be rather short, for example in the same building, or can be as far as completely different planets. The “rules” of cross cutting as far as their relation to scale and time are not overly strict, but the majority of cross cuts are used to show large scale events that occur across multiple locations. Cross Cutting Definition What is cross cutting in film?Ĭross cutting in film is an editing technique that cuts separate actions together to illustrate moments that take place simultaneously within the narrative structure. ![]()
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